Dance-work: Images of Organization in Irish Dance
Identifieur interne : 000447 ( Main/Exploration ); précédent : 000446; suivant : 000448Dance-work: Images of Organization in Irish Dance
Auteurs : Donncha Kavanagh [Irlande (pays)] ; Carmen Kuhling [Irlande (pays)] ; Kieran Keohane [Irlande (pays)]Source :
- Organization (London) [ 1350-5084 ] ; 2008-09.
Descripteurs français
- Wicri :
- geographic : Irlande (pays).
- topic : Identité culturelle, Développement économique, Identité nationale, Culture populaire.
English descriptors
- KwdEn :
- Aesthetic image, Aesthetic representation, Aesthetic representations, Agrarian economy, Catholic church, Celtic, Celtic motifs, Celtic tiger, Celtic tiger ireland, Commercial life, Cosy homesteads, Cultural analysis, Cultural change, Cultural economy, Cultural identity, Cultural renaissance, Dance form, Dance forms, Dance halls, Dancing masters, Dominant accounts, Donncha, Dublin, Economic boom, Economic data, Economic development, Economic success, Eurovision song contest, Global, Global ireland, Globalization, High rates, Historical narratives, Historical reality, Ireland, Irish, Irish body, Irish case, Irish culture, Irish dance, Irish dance donncha kavanagh, Irish dancing, Irish economy, Irish experience, Irish sexuality, Irish towns, Irish tradition, Kavanagh, Kieran keohane, Lace collars, Modern ireland, Modern irish dance, Modern nation state, National identity, National university, Organization articles, Organizational form, Parochial ireland, Political economy, Popular culture, Postmodern, Postmodern hybridity, Postmodern marketing, Postmodern tradition, Public dance halls, Research interests, Riverdance, Senior lecturer, State formation, Traditional community, Traditional ireland, Traditional irish dance, Unique opportunity, University college cork, Work relations.
- Teeft :
- Aesthetic image, Aesthetic representation, Aesthetic representations, Agrarian economy, Catholic church, Celtic, Celtic motifs, Celtic tiger, Celtic tiger ireland, Commercial life, Cosy homesteads, Cultural analysis, Cultural change, Cultural economy, Cultural identity, Cultural renaissance, Dance form, Dance forms, Dance halls, Dancing masters, Dominant accounts, Donncha, Dublin, Economic boom, Economic data, Economic development, Economic success, Eurovision song contest, Global, Global ireland, Globalization, High rates, Historical narratives, Historical reality, Ireland, Irish, Irish body, Irish case, Irish culture, Irish dance, Irish dance donncha kavanagh, Irish dancing, Irish economy, Irish experience, Irish sexuality, Irish towns, Irish tradition, Kavanagh, Kieran keohane, Lace collars, Modern ireland, Modern irish dance, Modern nation state, National identity, National university, Organization articles, Organizational form, Parochial ireland, Political economy, Popular culture, Postmodern, Postmodern hybridity, Postmodern marketing, Postmodern tradition, Public dance halls, Research interests, Riverdance, Senior lecturer, State formation, Traditional community, Traditional ireland, Traditional irish dance, Unique opportunity, University college cork, Work relations.
Abstract
The Irish economic boom, commonly known as the Celtic Tiger, provides an interesting and unique opportunity to explore the relationship between the profound shifts in the organization of working life and in the production and consumption of culture. In this paper, we confine our inquiry into the relationship with one aspect of popular culture, namely dance, focusing on the phenomenon of Riverdance which emerged contemporaneously with the Celtic Tiger. We argue that both are deeply immersed in larger organizing discourses, historical narratives about national identity and civilizing attempts to control the body. We identify three distinct `moments' in the development of Irish dance, which we label as pre-national, `Traditional' Ireland; national, `Modern', Parochial Ireland and global, `Post-modern' Ireland. This provides a narrative through which we explore the transformation of working relations in Ireland during the 19th and 20th centuries.
Url:
DOI: 10.1177/1350508408093650
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">The Irish economic boom, commonly known as the Celtic Tiger, provides an interesting and unique opportunity to explore the relationship between the profound shifts in the organization of working life and in the production and consumption of culture. In this paper, we confine our inquiry into the relationship with one aspect of popular culture, namely dance, focusing on the phenomenon of Riverdance which emerged contemporaneously with the Celtic Tiger. We argue that both are deeply immersed in larger organizing discourses, historical narratives about national identity and civilizing attempts to control the body. We identify three distinct `moments' in the development of Irish dance, which we label as pre-national, `Traditional' Ireland; national, `Modern', Parochial Ireland and global, `Post-modern' Ireland. This provides a narrative through which we explore the transformation of working relations in Ireland during the 19th and 20th centuries.</div>
</front>
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